Psychological clinical intervention within the cinematic context
Article Sidebar
Main Article Content
Abstract
The paper reports three psychological clinical interventions developed within the cinematic context, in which there are neither a psychological role nor a social mandate for clinical psychology. Clients are here both directors and casting directors; I work with them as personal assistant and casting assistant. This report shows how, from these two roles, the specific competence to develop and sustain a thought on failure of collusion helps clients developing new strategies for the work we share.
Article Details
Section
This work is licensed under a Creative Commons Attribution 4.0 International License.
How to Cite
References
Al Habash, N. (2016). Cosa è successo nel pop italiano nel 2016 [What happened in Italian pop in 2016]. Retrieved from https://www.rockit.it/articolo/pop-italiano-2016
Carli, R. (2007) Notazioni sul resoconto [Notations on the report]. Rivista di Psicologia Clinica, 2, 186-206. Retrieved from https://quadernidipsicologiaclinica.com/index.php/rpc-archivio/issue/archive
Carli, R. (2017). Il ripiego: Una fantasia incombente [The fallback: An impending fantasy]. Rivista di Psicologia Clinica, 2, 5-24. Retrieved from https://www.rivistadipsicologiaclinica.it/ojs/index.php/rpc-archivio/issue/archive
Carli, R., & Paniccia, R.M. (1981). Psicosociologia delle organizzazioni e delle istituzioni [Psychosociology of organizations and institutions]. Bologna: Il Mulino.
Carli, R., & Paniccia, R.M. (2003). Analisi della domanda [Analysis of the demand]. Bologna: Il Mulino.
Carli, R., & Paniccia, R.M. (2016). I “nuovi lavori” degli psicologi e la competenza a colludere [New “psychological work” and the competence to collude]. Quaderni della Rivista di Psicologia Clinica, 1, 16-31. Retrieved from https://quadernidipsicologiaclinica.com
Carli, R., & Paniccia, R.M. (2017). L’intervento psicologico clinico come mitopoiesi [Clinical psychological intervention as mitopoiesis]. Rivista di Psicologia Clinica, 2, 33-49. Retrieved from https://quadernidipsicologiaclinica.com/index.php/rpc-archivio/issue/archive
Chasseguet-Smirgel, J. (1987). Creatività e perversione [Creativity and perversion]. Milano: Raffaello Cortina Editore (Original work published 1985).
Di Giammatteo, F. (1998). Storia del cinema [History of cinema]. Venezia: Marsilio.
Ertola, V. (2019). Genesi ed evoluzione della “Legge Cinema” [Genesis and evolution of the “Cinema Law”]. Retrieved from https://www.iusinitinere.it/genesi-ed-evoluzione-della-legge-cinema-16459
Kris, E., & Kurz, O. (1989). La leggenda dell’artista: Un saggio storico [The legend of the artist: A historical essay] (G. Niccoli, Trans.). Torino: Bollati Boringhieri (Original work published 1979).
Legge 4 novembre 1965 n.1213. Retrieved from http://www.prassicoop.it/Norme/L%201213_65%20A.pdf
Mitry, J. (1977). Storia del Cinema Sperimentale [Le Cinema Experimental: histories et perspectives]. Milano: Mazzotta.
Peverini, P. (2004). Il videoclip: Strategie e figure di una forma breve [The video clip: Strategies and figures of a short form]. Roma: Meltemi.
Pinto, C. (2016). Il cinema italiano degli anni ’60 e ’70 [Italian cinema of the 60s and 70s]. Retrieved from https://www.lacooltura.com/2016/02/il-cinema-italiano-degli-60-e-70/